- #Kontakt 5 vienna symphonic library orchestra full#
- #Kontakt 5 vienna symphonic library orchestra software#
- #Kontakt 5 vienna symphonic library orchestra tv#
There are 88 instruments in total (half of which show up in seven gargantuan Multis), covering strings, woodwinds, brass, keyboards, percussion and choir. However, all the essential basics are covered and give you everything you’ll need for composition or quick pop/rock backing tracks. You won’t find some of the features found in more expensive libraries such as sequencers, exotic articulations, canned phrases, multiple microphone positions or advanced modulations. And this one certainly is that, at least in terms of standard instruments and common articulations.
#Kontakt 5 vienna symphonic library orchestra software#
A complete orchestral library suitable for accompanying scoring software really has to be just that: complete. As with the previous demo, this is a live, non-programmed improvised performance that uses no keyswitches.
#Kontakt 5 vienna symphonic library orchestra full#
I’ve set the response time to 520 ms so that the patches swap on any full rest that exceeds a half-note’s duration at my project’s 120 BPM tempo. If I’d wanted to have the choir come in on every third section instead of every other section, I could have set the number of steps to three, put Dynamic Orch into the first two slots and Dynamic Orch with Choir in the third slot. I have used just two presets, Dynamic Orch and Dynamic Orch with Choir, which differ only in the presence of the choir. You may find it more musically intuitive to set the interval based on quarter or half notes at your project’s tempo. Why 345 ms? That’s just the default that comes up. The switch will happen whenever there is a 354 millisecond or longer pause. In the above screenshot, we’re cycling through all eight slots.
A knob to the left lets you select how many of the eight presets to cycle through, and a “response” knob to the left of that specifies how long a silence is required to automatically switch between them. Here you’ll be presented with eight slots, to which you can assign any preset via a dropdown list. To set up APC, click on the “APC” button in the control bar at the bottom of the UI. At first glance, this might not seem very helpful, but it is. APC offers an interesting alternative, automatically cycling through presets whenever you pause playing for a configurable period of time. In a sequenced MIDI part you’d normally switch between presets using keyswitches. The Symphony instrument offers an unusual feature called Auto Preset Change that makes playing it live even more fun. The instrument is named Symphony.nki, and this audio sample uses its default preset, called Dynamic Orchestra. Namely, a full-orchestra NKI made for live performance, brainstorming, sketching and just plain old noodling around for fun. Big thanks to Tracy for adapting the best feature of my favorite instrument of his, Solid State Symphony, to Amadeus. It’s just yours truly improvising in real time, using a single Kontakt instrument (not a multi) and no external effects. Note that this is not some crafted multi-layered MIDI sequence. You can even play it live, as demonstrated in the following MP3. Amadeus Symphonic Orchestra is a standalone Kontakt library that may be used with any DAW or VST host, including notation applications other than Overture. One thing I want to emphasize is that despite Amadeus’ tight integration with Overture, these are two independent products.
A case of buying in bulk for a better deal, I guess.
In some cases, those source libraries originally retailed individually for a far higher price than the entire Amadeus collection.
#Kontakt 5 vienna symphonic library orchestra tv#
Consequently, Amadeus contains libraries you’ve probably heard before in TV and video games. It came together fairly quickly because Don and Tracy didn’t have to record the samples all were existing sample sets licensed from third parties. This ambitious undertaking would cover the entire orchestra from woodwinds to strings to percussion, under the umbrella of Amadeus Symphonic Orchestra.
Don would supply the samples and Tracy would assemble them into polished Kontakt instruments, featuring the same clean and consistent UIs that we’ve come to appreciate in Indiginus products. It was also the first to serve as a VST host, allowing users to couple the editor with virtual instruments of their choice.īut until now, what it lacked (and most of its competitors had) was an orchestral library of its own that could be bundled with the notation software – or sold separately.Ĭreating Kontakt libraries was a bit outside Don’s core skillset, so he did the smart thing and reached out to an expert, Tracy Collins (Indiginus), and proposed a collaborative effort. A pioneering application, Overture was the first scoring tool to use a mouse for data input back in the early 90’s. Here’s an affordable full orchestral library that covers all the essentials for casual orchestrators or even serious composers who want something lightweight for quick mockups.ĭon Williams is best known as the creator of the Overture notation program.